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Free for Commercial Use

Sans Normal Munup 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Panton' and 'Panton Rust' by Fontfabric, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, and 'Montras' by Maulana Creative (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, punchy, retro, playful, confident, impact, approachability, display use, retro flavor, blocky, rounded, soft corners, heavy terminals, compact.


Free for commercial use
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A heavy, rounded sans with broad, simplified construction and consistently thick strokes. Curves are generous and smooth, with softened corners that keep the silhouette friendly despite the weight. Counters are relatively tight and compact in letters like O, P, and e, giving the face a dense, poster-like color on the page. The uppercase is sturdy and geometric, while the lowercase stays straightforward and sturdy with minimal modulation and no calligraphic stress. Numerals match the blunt, rounded rhythm and read as solid, headline-oriented forms.

This font is best suited to headlines, logos, packaging, and signage where high impact and quick recognition are priorities. It also works well for playful branding systems and promotional graphics, especially when used at larger sizes where the rounded details remain clear.

The overall tone is bold and approachable, combining a retro, sign-paint-like friendliness with a modern, no-nonsense punch. Its chunky shapes feel energetic and informal, leaning more toward fun and impact than refinement.

The design appears intended to deliver maximum visual weight with friendly, rounded geometry—providing an approachable display voice that reads as bold, contemporary, and slightly nostalgic. It prioritizes strong silhouettes and simple forms for immediate, attention-grabbing communication.

At text sizes the dense counters and heavy joins create strong texture, so spacing and size will matter for clarity. The design’s rounded geometry and thick terminals make it especially effective when set with ample tracking or in short bursts where the silhouettes can do the work.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸