Sans Normal Utbem 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'PTL Maurea' by Primetype, 'Ahimsa' by Satori TF, 'Modal' by Schriftlabor, 'Foundry Form Sans' by The Foundry, 'NuOrder' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui text, branding, headlines, packaging, editorial, modern, clean, dynamic, technical, neutral, clarity, modernity, emphasis, versatility, efficiency, oblique, geometric, rounded, crisp, economical.
This typeface is a slanted, geometric sans with smooth circular and elliptical construction and a consistent, low-contrast stroke. Curves are clean and tightly controlled, with rounded bowls and open apertures that keep counters clear at text sizes. Terminals are mostly sheared and straightforward, reinforcing the oblique rhythm, while joins stay crisp and unadorned. Proportions feel balanced with a moderate x-height, and the numerals and capitals share the same streamlined, slightly forward-leaning stance for a cohesive texture.
It works well for UI and product typography where a clean, modern voice is needed but the slant adds emphasis and motion. The clear counters and even texture make it suitable for short-to-medium passages in editorial layouts, while the crisp geometry supports branding, packaging, and headline applications that benefit from a contemporary, forward-leaning tone.
The overall tone is contemporary and efficient, with an energetic forward motion from the slant. Its restrained shapes read as practical and neutral rather than expressive, giving a polished, professional feel suitable for modern interfaces and branded communications.
The design appears intended to offer a neutral, geometric sans character with an integrated oblique stance, delivering clarity and modernity without decorative features. Its consistent stroke and rounded construction suggest a focus on legibility and a smooth, contemporary texture across letters and numbers.
The italic angle is applied consistently across upper- and lowercase, producing a uniform rightward flow in words and lines. Round letters (C, O, Q) remain notably smooth, while diagonals (V, W, X, Y) are sharp and decisive, creating a lively but controlled rhythm.