Sans Other Teja 15 is a light, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, modernist, architectural, elegant, geometric, distinctive display, deco revival, geometric clarity, branding voice, high-contrast details, slit terminals, stencil-like cuts, circular counters, crisp.
A clean monoline sans with a geometric skeleton and distinctive split strokes. Many verticals and bowls are interrupted by narrow, centered “slits,” creating a subtle stencil-like segmentation while preserving overall continuity. Forms lean on near-circular O/C/G shapes, straight-sided D, and simplified diagonals, with a consistent, even stroke weight and sharp, squared terminals. Lowercase maintains a calm rhythm with open apertures and tidy, minimal joins; numerals echo the same cut-and-gap motif, especially in rounded figures.
Best suited for headlines, branding, and display applications where the segmented strokes can be appreciated—posters, logotypes, packaging, and signage. It can also work for short UI labels or editorial subheads when a modern, decorative edge is desired, but the slit details are most effective at medium-to-large sizes.
The cut-in strokes and circular geometry give the face a refined Art Deco/modernist flavor—sleek, designed, and slightly theatrical without becoming ornate. It reads as elegant and architectural, suggesting signage, interiors, and stylized display typography rather than invisible text setting.
The design appears intended to merge a neutral geometric sans foundation with a signature cut-stroke detail that adds character and a period-modern feel. The goal seems to be a recognizable, stylish display voice that remains orderly and legible while introducing a unique internal rhythm.
The recurring mid-stem gaps act as a strong identifying feature and create a distinctive sparkle in words at larger sizes. The construction stays disciplined across uppercase, lowercase, and figures, with a consistent emphasis on symmetry and clean geometry.