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Free for Commercial Use

Stencil Upde 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra and 'BR Segma' by Brink (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modernist, industrial, technical, sleek, futuristic, stencil styling, modern branding, systematic geometry, display impact, geometric, monoline, modular, crisp, minimal.


Free for commercial use
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A geometric, monoline sans with consistent stroke weight and sharp, clean terminals. Many letters are constructed from simple circular and straight segments, with deliberate breaks that create stencil-like bridges and add a modular, engineered feel. Curves are smooth and near-circular (notably in C, O, Q, and zero), while diagonals are crisp and angular in A, K, V, W, X, and Z. Overall spacing reads even and controlled, with a slightly built-from-parts rhythm that stays coherent from capitals through numerals.

Best suited for display applications where the stencil construction can read clearly: headlines, posters, logos, packaging, and environmental graphics. It can also work for short UI labels or wayfinding when sizes are large enough to preserve the intentional breaks.

The broken strokes and precise geometry give the face a contemporary, technical tone—suggesting machinery, signage, and modern production. It feels streamlined and purposeful rather than expressive, with a cool, systematic character that leans futuristic and design-forward.

The design appears intended to merge clean geometric sans proportions with a purposeful stencil construction, producing a contemporary face that feels manufactured and systematized. The consistent monoline structure and repeatable bridge motif suggest an emphasis on visual identity and high-impact titling rather than extended text reading.

Stencil interruptions are consistently placed, creating strong internal counters and distinctive silhouettes at display sizes. The numeral set matches the letterforms’ circular logic, with a notably segmented 0 and 8 that reinforce the constructed aesthetic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸