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Free for Commercial Use

Sans Superellipse Imnuk 2 is a very bold, very wide, low contrast, italic, normal x-height font.

Keywords: sports branding, esports, headlines, posters, packaging, futuristic, sporty, techy, aggressive, dynamic, speed, impact, modernity, precision, branding, rounded corners, squared bowls, slanted terminals, ink traps, tight apertures.


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A heavy, forward-leaning sans with a rounded-rectangle (superellipse) construction throughout. Strokes are consistently thick with minimal modulation, and corners are broadly filleted, producing compact, blocky silhouettes. Many joins and terminals show angled cuts and small notch-like ink traps, adding snap to the forms and improving separation at tight corners. Counters tend to be squared and relatively tight, while wide letterforms and extended horizontals create a strong, fast horizontal rhythm. The numerals and capitals follow the same geometric logic, with prominent slant and purposeful, engineered-looking cut-ins.

Best suited to short, high-impact settings such as sports or gaming identities, event and poster headlines, product marks, and packaging where a strong, fast silhouette reads quickly. It can also work for UI or tech-themed graphics in larger display sizes, where the angular cut details remain visible.

The overall tone is fast, modern, and performance-driven—more motorsport and esports than editorial. Its slanted stance and squared curves give it a confident, high-energy voice with a slightly industrial edge, suitable for contexts that want to feel technical and bold rather than neutral.

The font appears designed to project speed and engineered precision, using a consistent slant and superelliptical geometry to feel contemporary and streamlined. The angular terminals and ink-trap-like notches suggest an intention to maintain clarity at bold weights while emphasizing a competitive, performance-oriented personality.

The design’s distinctive identity comes from the combination of superelliptical bowls and sharp, chamfered details at joints, which creates a tension between soft geometry and hard angles. The tight apertures and deep cut-ins can make small sizes feel dense, while larger sizes showcase the sculpted corners and notches more clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸