Sans Faceted Lyga 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Air Force' by Indian Summer Studio (names referenced only for comparison).
Keywords: headlines, logotypes, posters, gaming ui, sports branding, techno, industrial, futuristic, arcade, tactical, hard-surface geometry, sci-fi voice, impactful display, signage clarity, octagonal, angular, chamfered, geometric, stencil-like.
A faceted geometric sans built from straight strokes and chamfered corners, replacing curves with crisp planar cuts. Letterforms favor squared counters and octagonal bowls, with consistent heavy strokes and minimal contrast. Terminals are clipped at angles, producing a hard-edged rhythm across caps, lowercase, and numerals; diagonals in forms like V/W/X/K are clean and steep, while round letters (O/Q/C/G) read as multi-sided polygons. Spacing and proportions are compact and efficient, emphasizing legibility through strong silhouettes and generous, squared apertures where needed.
Best suited for display work where the angular construction can read clearly: titles, posters, event graphics, esports or gaming UI, and tech-forward branding. It also fits labels, packaging callouts, and interface-style overlays where a crisp, engineered tone is desired.
The overall tone is technical and assertive, with a synthesized, machine-made feel. Its sharp facets and clipped corners suggest sci-fi interfaces, arcade hardware, and utilitarian labeling rather than softness or warmth. The texture in text blocks feels disciplined and tactical, projecting speed and precision.
The design appears intended to translate a geometric sans into a hard-surface, faceted language—maximizing edge definition and uniform stroke strength to evoke digital hardware and industrial signage. Its consistent chamfering and polygonal bowls aim for a distinctive futuristic voice while keeping letterforms familiar enough for quick recognition.
Several glyphs lean into engineered details—angular notches and cut-ins create a quasi-stenciled impression without fully breaking strokes. The caps present a strong headline voice, while the lowercase maintains the same faceted construction for a cohesive, all-system aesthetic. Numerals are similarly polygonal, reinforcing the font’s rigid, modular character.