Sans Superellipse Utmah 5 is a bold, wide, monoline, upright, normal x-height font visually similar to 'FM Bolyar Sans Pro' by The Fontmaker (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, ui labels, techy, futuristic, sporty, clean, friendly, modernize, humanize, streamline, differentiate, rounded, square-round, geometric, soft corners, high contrast-free.
A heavy, geometric sans with a squared-off, superellipse construction: curves resolve into rounded-rectangle bowls and counters, and terminals are consistently softened rather than sharply cut. Strokes are largely even, producing a steady, monoline rhythm, while the proportions feel expanded with generous width and open internal space. Letterforms show tight, engineered joins (notably in diagonals and crotches) and a low-to-moderate contrast silhouette that reads as solid and compact in mass. Numerals follow the same rounded-rect logic, with stacked, modular forms and broad apertures that keep them clear at display sizes.
Best suited to display roles such as headlines, brand marks, packaging, and posters where its wide stance and rounded-rect geometry can be a defining visual asset. It can also work for UI labels and in-product typography at larger sizes, where the open counters and simple construction remain legible and distinctive.
The overall tone is contemporary and tech-forward, with a sleek, synthetic feel that suggests interfaces, product branding, and modern motion graphics. Rounded corners add approachability and reduce severity, keeping the style friendly despite the strong weight.
The design appears intended to deliver a modern, geometric voice built from superellipse forms—combining sturdy presence with softened edges for a contemporary, approachable look. Its consistent stroke behavior and modular shapes aim for strong recognizability and clean reproduction across digital and print contexts.
The superellipse geometry gives the font a distinctive "rounded-square" identity: circular letters lean toward squarish bowls, and straight strokes often end in softened caps. The design favors clear, simple shapes over calligraphic nuance, creating a consistent, modern texture across uppercase, lowercase, and figures.