Sans Superellipse Utbap 1 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Fagot' by VladB (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, wayfinding, techy, futuristic, industrial, sporty, clean, modernize, differentiate, signal tech, add impact, systematize, rounded corners, square-round, geometric, stencil-like, streamlined.
A geometric sans built from rounded-rectangle and superellipse forms, with uniform stroke weight and generous corner radii. Curves are squared-off and controlled, creating a boxy rhythm in bowls and counters, while terminals are generally flat and blunt. Proportions lean expansive, with broad capitals and compact, engineered-looking lowercase. Distinctive construction details include simplified joins, angular diagonals, and occasional cut-in notches or breaks (notably in some uppercase forms and several numerals), reinforcing a machined, modular feel.
Best suited to headlines, branding marks, and short blocks of text where its distinctive rounded-square geometry can carry the design. It can also work well for tech product packaging, sports or automotive-style graphics, and signage/wayfinding where sturdy shapes and clear silhouettes are beneficial.
The overall tone feels modern and technical, with a sci‑fi and industrial edge. Its rounded-square geometry reads efficient and engineered rather than friendly, suggesting speed, equipment, and interface design. The squared curves and deliberate cut-ins add a subtle aggressive, performance-driven character.
The design appears intended to merge geometric clarity with a softened, superellipse-based construction, creating a contemporary sans with a strong engineered identity. The cut-in details and squared curves suggest an aim toward futuristic display usability while maintaining consistent, systematic forms.
The sample text shows strong consistency across letterforms, with spacious counters that help the heavy shapes stay readable. The numeral set follows the same rounded-rect geometry, and punctuation appears similarly robust, supporting display-forward settings where the stylization can be appreciated.