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Free for Commercial Use

Sans Superellipse Myfy 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Kardust TS Condensed' by ARToni and 'Director', 'Director Bengali', 'Director Gujarati', 'Director Malayalam', and 'Director Tamil' by Indian Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, industrial, sporty, assertive, retro, utilitarian, impact, durability, modern utility, brand presence, rounded, squared, compact, blocky, stencil-like.


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A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and superelliptical counters, producing a compact, engineered feel rather than a geometric-circle rhythm. Strokes are broadly even, terminals are blunt and rounded, and the joins stay crisp, giving a sturdy silhouette with minimal tapering. The lowercase is similarly solid and simplified, with short, sturdy extenders and squared curves; numerals follow the same rounded-rect logic for a consistent, signage-like set.

Best suited to display applications where weight and shape character are the main asset: headlines, posters, product packaging, and brand marks. It can work well in signage and labels where sturdy, high-impact letterforms are desirable. For longer passages, it will be most comfortable in short blocks or pull quotes due to its dense, emphatic texture.

The tone is bold and no-nonsense, with an industrial, athletic energy. Its squared rounding reads modern and mechanical while still feeling approachable due to the softened corners. Overall it communicates strength, durability, and functionality more than elegance or warmth.

The design appears intended to deliver maximum visual punch with a consistent rounded-rect geometry, balancing strict, engineered shapes with softened corners for friendliness. It prioritizes strong silhouettes and easy recognition for branding and large-size typography.

The rounded-squared forms create strong internal shapes that stay readable at display sizes, and the wide, flat terminals help maintain a steady rhythm in all-caps lines. The overall look suggests a purposely simplified construction, hinting at a slightly stencil-like pragmatism without breaking strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸