Sans Superellipse Myfy 7 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logotypes, packaging, signage, industrial, techno, retro, assertive, compact, display impact, geometric system, signage voice, brand distinctiveness, rounded, blocky, squared, condensed feel, modular.
A heavy, rounded-rectangle sans with a strongly squared skeleton and softened corners throughout. Strokes are uniform and dense, with counters that read as rectangular apertures and tight internal spacing, creating a compact, poster-like texture. Curves are treated as superelliptic arcs rather than true circles, giving letters like O, C, and S a boxy roundness. Terminals are blunt and vertical/horizontal decisions dominate, producing a modular rhythm with occasional narrow joins and notch-like cut-ins (notably in forms such as G and S). Numerals share the same squared, engineered construction, with simplified bowls and angular transitions that keep the overall color very even.
Best suited to display settings where impact and strong geometry are desired—headlines, posters, branding wordmarks, packaging, and short signage copy. It can also work for interface accents or labels when set with generous tracking and ample size to keep the tight apertures from closing up.
The font conveys a sturdy, machine-made confidence with a distinctly techno-industrial edge. Its rounded-square geometry evokes retro-futurist signage and arcade-era display lettering, while the dense weight adds an emphatic, no-nonsense voice. Overall it feels controlled, engineered, and attention-grabbing rather than casual or delicate.
Likely intended as a bold, geometric display sans built from rounded-rectangle logic, prioritizing consistency, punch, and a modern-industrial tone. The squared curves and blunt terminals suggest a design aimed at creating a distinctive, system-like voice for titles and branding rather than long-form reading.
The design maintains a consistent rounded-corner treatment across uppercase, lowercase, and figures, reinforcing a unified system look. Narrow apertures and compact counters can make small sizes feel dark, but at larger sizes the geometric details and squared curves become a defining stylistic feature.