Sans Faceted Ormi 5 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, gaming, techno, industrial, futuristic, tactical, mechanical, sci-fi styling, tech branding, geometric system, hard-edge display, industrial labeling, angular, chamfered, faceted, octagonal, geometric.
A geometric sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Stems are monoline and low-contrast, with squared terminals and frequent chamfers that create an octagonal silhouette in rounds like O, C, and G. Counters are generally open and rectangularized, producing a steady, engineered rhythm; diagonals in letters like K, V, W, and X are sharp and clean, while the overall spacing reads even and structured. Numerals follow the same hard-edged logic, with boxy forms and angled cuts that keep the set visually consistent.
Best suited to display sizes where the angular facets and clipped corners can be clearly appreciated—headlines, posters, logotypes, titling, and packaging. It also fits UI or HUD-inspired graphics, game branding, and industrial or tech-themed labels where a mechanical, constructed voice is desired. For long passages, it works more as a stylistic accent than a primary text face.
The faceted construction and hard corners evoke a technical, industrial tone—like display lettering for devices, machinery, or sci‑fi interfaces. It feels decisive and utilitarian, with a slightly retro-digital flavor that suggests schematics, arcade hardware, or tactical labeling. The overall mood is bold and controlled rather than friendly or calligraphic.
The font appears designed to translate a modern sans into a faceted, polygonal system, keeping stroke widths simple while emphasizing chamfered geometry. Its intention seems to be delivering a consistent, hard-edged identity that reads as engineered and futuristic without relying on ornament or high contrast.
The design relies on repeated chamfer angles across the alphabet to unify the texture, giving rounded letters a polygonal, machined look. Lowercase forms keep the same angular vocabulary and read more like compact, engineered counterparts to the capitals than a separate, humanist style.