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Free for Commercial Use

Sans Superellipse Finuz 9 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Bunken Tech Sans Wide' by Buntype, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, 'Hyperspace Race' by Swell Type, and 'Sui Generis' by Typodermic (names referenced only for comparison).

Keywords: headlines, sports branding, tech branding, posters, packaging, futuristic, sporty, techy, assertive, sleek, impact, speed, modernity, branding, display, oblique, rounded corners, squared curves, extended, geometric.


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A heavy, oblique sans with broad, extended proportions and rounded-rectangle construction throughout. Curves resolve into squarish bowls and terminals with consistently softened corners, producing a superelliptical, engineered feel rather than a purely circular geometry. Strokes are uniform and dense, with tightly controlled apertures and compact interior counters; the overall rhythm is fast and forward-leaning. Numerals and capitals echo the same rounded-square logic, with sturdy horizontal bars and angled cuts that emphasize speed.

Best suited to high-impact display work such as headlines, sports identities, automotive or gaming graphics, tech/product branding, and bold poster or packaging typography. It can also work for short UI labels or navigation at larger sizes where its compact counters remain clear, but it is primarily a statement face rather than a text workhorse.

The font reads as modern and performance-oriented, with a motorsport and sci‑fi flavor. Its forward slant and compact counters project momentum, strength, and a technical, product-driven tone rather than a friendly or literary one.

The design appears intended to deliver maximum punch with a streamlined, industrial geometry: wide letterforms, consistent rounded-square shapes, and an energetic slant that suggests speed and modernity. It prioritizes visual cohesion and a strong silhouette for branding and display settings.

The design keeps a consistent angle and corner radius across letters and numerals, which helps long lines feel cohesive even at large sizes. The oblique posture and tight counters make it most comfortable when given breathing room in tracking and line spacing, especially in all-caps or dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸