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Free for Commercial Use

Sans Superellipse Finis 5 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Vito' by Dots&Stripes Type, 'Gelegar' by Locomotype, 'Nokia Expanded' by Lone Army, 'Gemsbuck 01' by Studio Fat Cat, and 'Good Timing' and 'Sui Generis' by Typodermic (names referenced only for comparison).

Keywords: sports branding, headlines, posters, esports, product branding, sporty, futuristic, assertive, energetic, technical, impact, speed, modernity, branding, display, oblique, extended, rounded, geometric, streamlined.


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A heavy, forward-slanted sans with extended proportions and compact counters. Letterforms are built from broad, low-contrast strokes with rounded-rectangle curves and softened corners, giving bowls and terminals a superelliptical feel. Many shapes use angled cuts and flattened horizontals, creating a streamlined rhythm; apertures tend to be narrow and spacing reads tight and controlled in display sizes. Numerals echo the same wide stance and rounded geometry, with horizontal notches and chamfer-like joins reinforcing the engineered look.

Well suited to high-impact headlines, athletic or motorsport identities, esports graphics, and bold product branding where speed and power are part of the message. It can also work for short UI labels or packaging callouts, especially when set with generous tracking to preserve clarity.

The overall tone is fast and forceful, with a contemporary, tech-leaning attitude. Its oblique slant and wide footprint evoke motion and performance, while the rounded geometry keeps the personality friendly enough to avoid feeling harsh.

The design appears intended to deliver maximum impact with a sense of motion: wide, oblique forms paired with rounded, superelliptical construction and sharp directional cuts. The goal reads as modern and performance-driven, optimized for attention-grabbing display typography.

The font’s consistency comes from repeating angled stroke endings and rounded-rectangle curves across both uppercase and lowercase. In longer sample lines it maintains strong presence and even texture, though the dense shapes and tight openings suggest it is most comfortable at larger sizes where interior spaces stay clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸