Sans Superellipse Abgar 11 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Hando' by Eko Bimantara, 'CTM Sans' by Gspr one, 'Neufile Grotesk' by Halbfett, and 'Neue Freigeist' by René Bieder (names referenced only for comparison).
Keywords: ui, web, branding, signage, editorial, clean, modern, neutral, friendly, corporate, clarity, modernity, approachability, versatility, geometric, rounded, open apertures, even rhythm, crisp terminals.
This typeface is a clean sans with geometric construction and softly squared, superelliptical curves. Round letters like C, O, and G read as rounded-rectangle forms rather than perfect circles, while strokes remain even and calm with minimal modulation. Terminals are crisp and mostly horizontal or vertical, and counters are generous, giving the design an open, highly legible texture. The lowercase has a straightforward, single-storey a and g, with simple joins and a consistent, unembellished skeleton across the alphabet and numerals.
It suits user interfaces, dashboards, and web typography where a clean, steady rhythm supports scanning and readability. The rounded-geometric tone also works well for contemporary branding systems, packaging, and wayfinding, especially when a modern but approachable voice is needed. In editorial settings it can serve for headings and short-to-medium text where a crisp, contemporary sans is appropriate.
Overall it conveys a contemporary, efficient tone with a mild friendliness coming from its rounded geometry. The impression is neutral and dependable rather than expressive, making it feel at home in product and interface contexts where clarity matters. Its smooth shapes and steady rhythm also give it a mild “tech” sensibility without becoming cold.
The design appears intended as a versatile, contemporary workhorse sans that blends geometric discipline with softened corners for approachability. By keeping stroke behavior even and letterforms open, it prioritizes clarity and consistency across display and text sizes while maintaining a distinctive rounded-rectangle signature.
The numerals follow the same geometric logic, with clear, open forms and balanced proportions that align well with the letters. The uppercase has a stable, engineered presence, while the lowercase maintains an approachable, practical voice, producing a consistent paragraph color in the sample text.