Outline Tili 3 is a light, wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, invitations, art deco, fashion, theatrical, elegant, vintage, ornamental display, vintage revival, luxury branding, signage look, engraved effect, inline, display, monoline, stencil-like, decorative.
A decorative serif with slim, high-contrast letterforms built from an outer contour and a consistent interior inline, creating a hollow, double-stroked effect. The capitals are wide with crisp, hairline serifs and smooth, round bowls; many curved letters feature an inset line that follows the perimeter, reinforcing the outline construction. Lowercase forms are similarly airy and stylized, with looped terminals on characters like g, j, and y, and simplified, open counters that keep the texture light. Numerals continue the motif, mixing straight stems with curled details and layered contours for a refined, ornamental rhythm.
This font is well suited to display applications where its outline-and-inline detailing can remain crisp: fashion and beauty headlines, boutique branding, editorial covers, menus, packaging, event invitations, and theatrical or nightlife posters. It works especially well on clean backgrounds or over color fields where the hollow construction can shine without competing textures.
The overall tone feels glamorous and stage-ready, combining elegance with a slightly playful, ornamental flair. Its double-line construction evokes vintage signage and early-20th-century display typography, projecting a polished, boutique sensibility.
The design appears intended as a statement display face that translates classic serif structure into an ornamental, engraved outline style. By pairing wide proportions with a consistent interior inline, it aims to deliver a refined, vintage-luxe look that stands apart from standard filled serif typography.
The internal inline is visually prominent and consistent, so spacing and counters read more like engraved or inlaid lettering than conventional filled text. At smaller sizes the fine interior detail is likely to become the dominant texture, so the design reads best when given room and contrast.