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Free for Commercial Use

Sans Faceted Mija 1 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type and 'B52' by Komet & Flicker (names referenced only for comparison).

Keywords: headlines, sports branding, posters, gaming ui, packaging, industrial, athletic, retro tech, arcade, tactical, impact, technical tone, sport identity, systematic geometry, signage clarity, octagonal, chamfered, blocky, angular, sturdy.


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A chunky, angular sans with faceted construction: curves are replaced by straight segments and clipped corners, producing an octagonal, machined silhouette across rounds like C, O, and Q. Strokes are consistently heavy with uniform thickness, and terminals are predominantly squared or chamfered. Proportions feel compact and sturdy with a tall lowercase presence, while counters remain open enough for clear shapes at display sizes. The overall rhythm is driven by repeated corner cuts and straightened bowls, giving the alphabet a cohesive, engineered geometry.

Best suited to display settings such as headlines, team or esports branding, event posters, product packaging, and UI labels where a tough, technical voice is desired. It also works well for numbering systems—jerseys, equipment IDs, wayfinding tags, or title cards—where the faceted forms add character and maintain clarity at larger sizes.

The font reads as rugged and utilitarian, with a sporty, equipment-marking attitude. Its faceted geometry evokes stencil-like industrial labeling and retro digital/arcade aesthetics without becoming overtly decorative. The tone is assertive and mechanical, suited to high-impact, no-nonsense messaging.

The design appears intended to translate a hard-edged, manufactured aesthetic into a straightforward sans structure, using consistent chamfers to unify the set. By systematizing corner cuts and flattening curves into planar segments, it aims to deliver a distinctive, high-impact look that feels engineered and dependable in bold display typography.

Round characters resolve into multi-sided forms, and joins favor sharp diagonals rather than smooth transitions. Numerals match the same octagonal logic, reinforcing a consistent system for lettering and numbering. The sample text shows strong presence in headlines, where the clipped corners create a distinctive texture and a crisp, technical feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸