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Free for Commercial Use

Stencil Isla 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Geogrotesque Stencil' by Emtype Foundry and 'PODIUM Sharp' by Machalski (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, utilitarian, military, rugged, authoritative, marking, labeling, impact, blocky, compact counters, flat terminals, high impact, modular.


Free for commercial use
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The design is a heavy, blocky sans with squared, compact counters and flat terminals, built from sturdy verticals and straight-sided curves. Distinct stencil bridges cut through key joins and bowls (notably in letters like O, C, G, S, and numerals), creating clear separation points while keeping forms recognizable. Proportions lean tall and compact, with tight internal spaces and consistent rhythm across the alphabet, producing strong texture in lines of text.

Best suited to bold display settings where an industrial or equipment-label aesthetic is desired, such as posters, packaging, titles, and brand marks with a rugged voice. It can also work well for wayfinding-style graphics, crates/warehouse motifs, and thematic interfaces or game/film titling that calls for a stenciled look. For long passages at small sizes, the tight counters and heavy texture may reduce comfort, so it performs strongest in short, prominent text.

This typeface projects a utilitarian, industrial tone with a confident, no-nonsense presence. The stencil breaks introduce a coded, equipment-marking feel that reads as functional and assertive rather than decorative. Overall it suggests ruggedness and control, with a slightly retro-military flavor.

The letterforms appear designed to mimic practical stencil construction, prioritizing durability and reproducibility over softness or calligraphic nuance. The consistent bridge placement and simplified geometry aim for unmistakable shapes at a glance and a strong, uniform typographic color in headlines.

The stencil breaks are large and deliberate, making the negative cuts a defining graphic feature rather than a subtle detail. Numerals follow the same system, keeping a consistent, stamped rhythm across mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸