Sans Other Urby 2 is a light, normal width, monoline, upright, normal x-height font.
Keywords: branding, headlines, logotypes, packaging, ui display, futuristic, technical, sleek, minimal, geometric, distinctive modularity, tech aesthetic, display clarity, systematic styling, rounded terminals, stencil-like, segmented, open forms, clean.
A monoline sans with generously rounded stroke ends and a modular, segmented construction. Many joins are treated as deliberate gaps, giving several letters a stencil-like, engineered feel while keeping overall contours smooth and geometric. Curves are broadly circular (notably in C, G, O, Q, and numerals), and horizontals/verticals stay straight and even, producing a clean rhythm. The lowercase shows simple, single-storey forms and an open, airy structure, while punctuation-like dots and short bars are rendered as small, rounded marks consistent with the terminal treatment.
Best suited to branding, headlines, product names, and logotypes where its segmented geometry can read as a signature detail. It can also work for UI or on-screen display text in short bursts (titles, labels, navigation) where clarity is supported by ample size and spacing.
The segmented strokes and rounded terminals create a contemporary, tech-forward tone—precise and systemized, but softened by the friendly, circular geometry. It reads as modern and slightly sci‑fi, suggesting interfaces, devices, and streamlined industrial design rather than traditional editorial typography.
Likely designed to offer a clean sans foundation with a distinctive modular twist, using controlled breaks and rounded terminals to evoke engineered precision without becoming harsh. The goal appears to be a contemporary display voice that feels both functional and characterful.
Distinctive breakpoints in letters (such as E/F and several diagonals) become a defining motif that increases personality and helps the design stand out at display sizes. The same motif is echoed across capitals, lowercase, and numerals, supporting a cohesive visual system, though the intentional gaps can make dense text feel more stylized than neutral.