Sans Superellipse Ubkam 6 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'FF Good' by FontFont, 'Grillmaster' by FontMesa, 'CF Blast Gothic' by Fonts.GR, 'Neue Helvetica' by Linotype, 'Delonie' by Umka Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, condensed, assertive, retro, utilitarian, space-saving impact, signage clarity, bold branding, poster emphasis, blocky, compact, sturdy, rounded corners, poster-like.
This typeface is a condensed, heavy sans with compact proportions and a tall, tightly packed rhythm. Letterforms are built from thick vertical strokes and rounded-rectangle curves, giving bowls and counters a squared-off softness rather than true circles. Curves join into straights with firm, slightly rounded terminals, and internal spaces are relatively small, reinforcing a dense, high-impact color on the page. The overall construction stays consistent across uppercase, lowercase, and numerals, with simplified, monoline geometry and minimal detailing.
Best suited to short, high-impact settings such as headlines, posters, signage, labels, and packaging where compact width and strong presence are assets. It can also work for bold UI labels or navigation in large sizes, but extended body copy will feel dense due to the heavy strokes and tight internal spacing.
The tone is bold and no-nonsense, with an industrial, poster-minded presence. Its condensed build and chunky shapes evoke vintage signage and pragmatic labeling, feeling tough, efficient, and attention-seeking rather than delicate or literary.
The design appears aimed at delivering maximum impact in minimal horizontal space while maintaining a clean, modern sans structure. Its rounded-rectangle geometry suggests an intention to blend industrial sturdiness with a softened, approachable edge for display use.
In text, the heavy weight and tight counters create strong headline impact but also a compact, dark texture that can overwhelm at smaller sizes. The squared, rounded-rectangle logic is especially evident in O/Q-like forms and in the numerals, which read as sturdy and signage-oriented.