Sans Superellipse Ogdap 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Grandheron Sans New' by André Simard, 'Chortler' by FansyType, 'Behover' by Martype co, 'Alma Mater' and 'Oscar Bravo' by Studio K, 'Headlines' by TypeThis!Studio, and 'Super Duty' by Typeco (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, assertive, retro, compact, utilitarian, impact, compactness, branding, geometric unity, rounded corners, squared curves, blocky, monoline, tall proportions.
A dense, heavy sans with tall, compact proportions and a strongly geometric build. Curves resolve into rounded-rectangle forms with softened corners, giving bowls and counters a squared, superellipse feel rather than pure circles. Strokes stay largely uniform, terminals are blunt, and joints are clean, producing a steady, poster-like rhythm. Spacing is tight and the overall texture is dark and even, with relatively small counters that emphasize solidity over airiness.
Best suited to headlines and short-form display settings where maximum impact is desired: posters, packaging fronts, bold UI labels, event graphics, and strong brand marks. It can also work for signage and wayfinding-style applications when set with generous tracking and ample size to preserve counter clarity.
The tone is bold and no-nonsense, mixing a contemporary industrial clarity with a faintly retro, sign-paint and display-title sensibility. Its rounded-square geometry reads confident and engineered, with an approachable softness from the corner rounding while still feeling forceful and condensed.
This font appears designed to deliver high-impact display typography with a compact footprint, using a rounded-rectangular geometry to stay friendly while remaining strong and industrial. The consistent monoline construction and blunt terminals suggest an emphasis on reproducible, logo-ready shapes and a stable, modern rhythm.
The design’s distinctive identity comes from consistently rounded corners paired with squared-off curves, which keeps the alphabet cohesive across caps, lowercase, and numerals. The narrow set and heavy color make it especially impactful at larger sizes, where the rounded-rectangle counters are most legible.