Slab Square Tanot 4 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Clab' by Eko Bimantara, 'Nexa Slab' by Fontfabric, 'Equip Slab' by Hoftype, and 'Kondolarge' by TypeK (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, confident, retro, editorial, assertive, impact, motion, authority, headline strength, brand presence, bracketed, chunky, compact, ink-trap-free, rounded joints.
A heavy, forward-leaning slab serif with broad proportions and sturdy, low-contrast strokes. The serifs are thick and blocky with slightly softened joins, giving the outlines a solid, carved feel rather than a sharp, brittle one. Counters are generous and open, while terminals stay blunt and decisively finished, keeping the texture even in dense settings. Overall spacing reads steady and emphatic, producing a strong horizontal rhythm across lines.
This face is best suited to display typography such as headlines, posters, and punchy editorial callouts where its heavy slabs and italic momentum can do the work. It also fits sports branding, packaging, and logo lockups that benefit from a strong, durable presence. For longer passages, it will be most comfortable when given ample size and leading due to its dense, weighty color.
The tone is energetic and confident, with a sporty, headline-driven voice that nods to vintage display typography. Its slanted stance adds momentum and urgency, while the chunky slabs keep it grounded and authoritative. The result feels bold in attitude and well-suited to messaging that needs to sound decisive and robust.
The design appears intended to deliver a forceful, high-impact slab serif voice with built-in motion from the italic slant. It prioritizes clarity of silhouette, sturdy construction, and an even, confident texture for attention-grabbing typographic statements.
In the sample text, the weight and italic angle create a pronounced rightward flow, and the slab detailing remains clear at larger sizes. Uppercase forms appear particularly sturdy and signage-like, while lowercase maintains a consistent, readable silhouette with rounded curves that temper the overall heaviness.