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Free for Commercial Use

Sans Normal Kedom 5 is a bold, wide, low contrast, italic, tall x-height, monospaced font visually similar to 'Ascender Sans Mono' by Ascender and 'Fonetika Mono' by Tokotype (names referenced only for comparison).

Keywords: coding, terminal ui, data tables, labels, posters, utilitarian, athletic, technical, assertive, retro, alignment, clarity, impact, motion, utility, oblique, blocky, compact, squared, uniform.


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A heavy, oblique sans with uniform stroke widths and rounded-rectangle curves that keep counters open and shapes sturdy. The forms are slightly squared in their geometry, with blunt terminals and a consistent, grid-like rhythm typical of fixed-width letterspacing. Uppercase proportions feel broad and stable, while the lowercase shows a tall body and simple, workmanlike constructions; curves on letters like C/O/S are smooth and continuous rather than calligraphic. Numerals follow the same robust, compact build, emphasizing clarity and even color across a line.

This design fits best where fixed-width alignment matters, such as code, terminal-style interfaces, logs, tables, and forms. Its sturdy strokes and clear silhouettes also suit labels, navigation, and short, high-impact headlines where the slant can add momentum.

The overall tone is pragmatic and forceful, with a sporty, machine-made flavor that reads like labeling, equipment markings, or industrial UI type. The strong slant adds urgency and forward motion, giving it a dynamic, slightly retro-tech character.

The font appears designed to provide a strong, consistent typographic color within a strict character grid, prioritizing alignment and legibility while adding speed through an oblique posture. Its squared, simplified shapes suggest an intention toward practical display and interface use rather than delicate editorial typography.

Because every character occupies the same horizontal space, the texture stays very even in running lines, and the bold weight helps it hold up on light backgrounds. The oblique stance is pronounced, so long passages can feel energetic rather than neutral.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸