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Free for Commercial Use

Sans Normal Odros 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Geometria' by Brownfox, 'Menca' by Kvant, 'Merlo Neue' by Typoforge Studio, and 'URW Form' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, logos, playful, friendly, chunky, retro, cartoonish, approachability, high impact, playful display, retro charm, brand character, rounded, soft, blobby, bouncy, bulky.


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A heavy, rounded sans with soft corners and slightly irregular, hand-shaped contours. Strokes are thick and uniform, with wide, open counters in letters like O, P, and R, and generous bowl shapes that keep forms readable at large sizes. Terminals often end in subtly angled or tapered cuts rather than perfectly flat slabs, giving the alphabet a lively, cut-paper feel. Uppercase is compact and sturdy, while lowercase shows single-storey a and g, a broad-shouldered m/n, and a short, stout t, producing a bouncy, informal rhythm. Numerals are equally bulbous and simplified, with strong silhouettes designed for quick recognition.

Best suited to posters, big headlines, packaging, and branding moments where a bold, friendly voice is needed. It can also work for logos and short phrases, especially for products or events aimed at casual, family, or entertainment contexts; for longer text it will be most effective at larger sizes with ample line spacing.

The overall tone is upbeat and approachable, leaning toward a fun, kid-friendly and slightly retro display personality. Its chunky shapes and soft geometry suggest warmth and humor rather than precision or technical seriousness.

The design appears intended as a characterful, high-impact rounded sans that prioritizes warmth, memorability, and strong silhouettes. Its softened geometry and slightly hand-made finish suggest a deliberate move away from rigid modernism toward an inviting, playful display style.

The texture is intentionally imperfect: curves aren’t mechanically smooth, and small asymmetries add character across the set. Tight internal spacing and thick joins create a dense, poster-like color, especially in multi-line settings where the rhythm becomes bold and punchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸