Sans Superellipse Imnas 2 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Ambatah' and 'FX Ambasans' by Differentialtype, 'Neue Stance' by Jetsmax Studio, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: sports branding, racing livery, esports, headlines, posters, futuristic, racing, tech, aggressive, sporty, speed emphasis, modern branding, impact display, tech aesthetic, geometric build, extended, slanted, rounded, squared, compact.
A heavy, forward-slanted sans with extended proportions and a strong horizontal push. Letterforms are built from rounded-rectangle geometry: corners are softened, bowls are squarish, and counters stay open despite the weight. Terminals are often sheared or clipped at an angle, creating a consistent sense of motion, while the stroke thickness remains largely even for a solid, low-modulation texture. Spacing is relatively tight and the overall silhouette reads clean and blocky, with distinctive, engineered curves rather than calligraphic shaping.
Best suited to display settings where impact and motion matter: sports identities, racing-themed graphics, esports teams, tech promo materials, and bold product packaging. It performs particularly well in short headlines, logotypes, and large-scale signage where its slant and wide proportions can dominate the layout.
The face conveys speed and engineered confidence, with a distinctly contemporary, motorsport/tech tone. Its wide stance and slanted construction feel assertive and energetic, leaning toward performance branding and action-oriented messaging rather than quiet editorial voice.
The design appears intended to merge a geometric, rounded-rectangle construction with an italicized, high-energy stance, producing a sturdy display sans that reads as fast, modern, and industrial. Its consistent stroke weight and clipped terminals prioritize a strong silhouette and instant recognizability at large sizes.
Figures and capitals maintain the same squared-round construction, producing a cohesive “machined” look across mixed text. The most characterful moments come from the angled cuts and the superelliptical bowls, which create a recognizable rhythm in headlines and short phrases.