Sans Superellipse Fidak 6 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Pill Gothic' by Betatype; 'Meguro Sans' by GT&CANARY; 'Echoes Sans' by Glen Jan; 'Nizzoli' by Los Andes; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, branding, sports, posters, ui labels, sporty, techy, forward, confident, modern, impact, motion, modernization, clarity, oblique, compact, geometric, rounded, blocky.
A heavy, oblique sans with broad proportions and a geometric, rounded-rectangle construction. Curves tend toward superelliptical bowls and counters, while joins and terminals feel clean and engineered rather than calligraphic. Strokes are largely monolinear, with crisp edges and consistent weight distribution; the italic slant is steady across the set and gives the shapes a streamlined rhythm. The lowercase shows a prominent x-height, short extenders, and sturdy apertures, keeping texture dense and highly legible at display sizes. Numerals and capitals follow the same squared-round geometry, producing a cohesive, industrial silhouette.
Best suited for headlines, branding marks, and short, high-impact copy where a strong oblique voice is desirable. It also works well for sports and tech-facing materials, product titling, packaging callouts, and bold UI labels where clear, sturdy letterforms are needed at a glance.
The overall tone is fast, assertive, and contemporary, with a subtle athletic and automotive feel. Its oblique stance adds motion and urgency, while the rounded geometry keeps it approachable rather than aggressive. The result reads as confident and utilitarian, suited to punchy messaging.
The design appears intended to deliver a modern, speed-inflected sans that feels engineered and contemporary. Its rounded-rect geometry and consistent stroke logic suggest a focus on strong silhouettes, clear recognition, and a cohesive look across letters and numerals for branding-forward display use.
Round forms like O/o and 8 appear more superelliptical than purely circular, and the counters stay relatively open for a heavy style. The slant and width together create a strong horizontal flow, which can make lines feel energetic but visually dominant in longer passages.