Serif Contrasted Side 1 is a bold, wide, very high contrast, italic, normal x-height font visually similar to 'Bodoni' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, magazines, posters, branding, packaging, fashion, editorial, dramatic, luxury, classic, luxury appeal, editorial punch, dramatic emphasis, classic revival, display impact, didone, hairline serifs, ball terminals, swashlike, display.
A high-contrast italic serif with strong thick-to-thin transitions, crisp hairline serifs, and a pronounced rightward slant. The letterforms feel sculpted and calligraphic despite their sharp, modern finish: heavy main strokes are paired with razor-thin cross-strokes and terminals, and several glyphs show rounded ball terminals (notably on forms like J and 2). Proportions are generous and slightly expanded, with an energetic rhythm created by steep diagonals (V/W/X/Y) and lively curves (S, g, e). Numerals echo the same contrast and curl, with italicized, slightly flamboyant shapes and occasional teardrop-like endings.
Best suited to large-scale typography where the contrast and hairlines can be appreciated: magazine headlines, fashion/editorial layouts, premium branding, and packaging. It can also work for short subheads, pull quotes, and event materials where a dramatic italic serif is desired.
The font conveys a confident, high-end tone—poised and theatrical, with a distinctly editorial voice. Its sharp contrast and sweeping italic motion read as glamorous and expressive, lending a sense of ceremony and sophistication rather than everyday neutrality.
The design appears intended to deliver a modern luxury impression through a Didone-like contrast system combined with an expressive italic cadence. It prioritizes elegance and impact, using sharp hairlines, crisp serifs, and animated terminals to stand out in display settings.
In the text sample, the dense black strokes and hairline details create a striking shimmer at large sizes, while the pronounced italic angle and lively terminals add personality to headlines. Some shapes lean toward showy, slightly idiosyncratic italics (e.g., the single-storey a and the looping g), reinforcing its display-first character.