Sans Superellipse Ikmeh 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Crique Grotesk' by Stawix, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, bold, playful, retro, friendly, sporty, impact, approachability, retro flavor, geometric consistency, display emphasis, blocky, rounded, compact, soft corners, chunky.
A heavy, block-forward sans with rounded-rectangle construction and broad, open counters. Curves resolve into softened corners rather than true circular bowls, giving the design a superelliptical, engineered feel. Strokes are consistently thick with minimal modulation, and the overall texture is dense and steady. Terminals are mostly blunt and squared-off, while joins stay clean and geometric; diagonals (such as in K, V, W, X, Y, Z) are sturdy and wide-set. Figures follow the same chunky logic, with simple, poster-like silhouettes and generous interior shapes for clarity at large sizes.
Best suited to short, high-impact settings such as headlines, posters, event graphics, and prominent brand marks where weight and geometry can carry the message. It also fits sports identity systems, bold packaging callouts, and large-format signage where a compact, rounded block style helps maintain legibility and presence.
The tone is confident and upbeat, with a friendly softness coming from the rounded geometry. It reads as contemporary yet nostalgic, echoing athletic and mid-century display lettering while staying clean and approachable. The overall impression is loud, energetic, and good-humored rather than formal.
The design appears intended to deliver maximum visual impact through heavy strokes and rounded-rectilinear forms, balancing toughness with approachability. Its consistent geometry suggests a goal of creating a distinctive, punchy display voice that remains readable and cohesive across letters and figures.
Uppercase shapes feel especially compact and massive, creating strong rectangular word silhouettes. The lowercase maintains the same weight and geometry, emphasizing a sturdy, utilitarian rhythm with clear differentiation between similarly shaped forms.