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Sans Superellipse Ifma 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Rice' by Font Kitchen, 'Panton Rust' by Fontfabric, 'Remora Corp' by G-Type, 'Otoiwo Grotesk' by Pepper Type, 'Core Sans A' by S-Core, and 'Gordita' by Type Atelier (names referenced only for comparison).

Keywords: posters, branding, packaging, headlines, logos, playful, friendly, chunky, retro, soft, impact, approachability, display, brand presence, geometric consistency, rounded, blobby, compact, heavy, geometric.


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A heavy, rounded sans with superellipse-like construction: bowls and counters read as softened rectangles rather than perfect circles. Terminals are broadly rounded and corners are generously eased, producing a compact, sturdy silhouette with minimal stroke modulation. The uppercase is wide and blocky with large, stable horizontals, while lowercase forms are simplified and bulbous with short extenders and roomy, rectangular counters. Numerals follow the same soft-rectangular logic, with the 0 as a rounded rectangle and the 1 as a plain, pillar-like form, keeping texture dense and uniform in text.

Best suited to display applications where impact and friendliness are desired—posters, headlines, packaging, and logo wordmarks. It can work for short emphatic UI labels or signage when sizes are large enough to preserve interior clarity, but it is less ideal for small, dense body text due to its compact apertures and heavy color.

The overall tone is warm and approachable, with a toy-like solidity that feels upbeat rather than formal. Its rounded geometry gives it a friendly, cushioned character, while the dense weight and compact shapes add a confident, poster-driven energy reminiscent of mid-century display lettering.

The likely intention is a maximally legible, high-impact rounded display sans that prioritizes softness and geometric consistency. By basing forms on rounded-rectangle construction, it aims to deliver a cohesive, modern-retro texture that stands out in branding and headline settings.

The design emphasizes consistent curvature and thick joins, which helps maintain an even color at large sizes. Openings in letters like C, G, S, and e are relatively tight, reinforcing a bold, compact rhythm that reads best when given ample tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸