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Free for Commercial Use

Sans Superellipse Emdis 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Famiar' by Mans Greback and 'Scansky' by Satori TF (names referenced only for comparison).

Keywords: ui, branding, headlines, signage, editorial, modern, friendly, clean, dynamic, techy, clarity, approachability, modernization, motion, rounded, soft corners, geometric, humanist touch, open apertures.


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A slanted sans with rounded, superellipse-like curves and softened terminals that keep the outlines smooth and continuous. Strokes stay even with minimal modulation, and counters are generously open, especially in letters like C, S, e, and a, supporting clarity at text sizes. Proportions feel balanced rather than condensed, with straightforward construction in capitals and a slightly more organic rhythm in lowercase; the slant is consistent and gives the line a forward pull. Numerals are simple and legible with round bowls and clear joints, matching the alphabet’s overall rounded geometry.

This style works well for interface typography, dashboards, and product branding where a modern, friendly tone is needed. It also suits short-form editorial callouts, packaging, and signage thanks to its open shapes and consistent slanted rhythm that remains readable in larger blocks of text.

The overall tone is contemporary and approachable, pairing a technical, streamlined skeleton with softened corners that reduce severity. The italic angle adds energy and motion, making the voice feel active and upbeat rather than formal or traditional.

The design appears intended to deliver a contemporary italic sans that feels energetic without becoming sharp, using rounded-rectangle geometry to maintain a clean, engineered look. It aims for broad usability—legible in text while distinctive enough for display—by combining open apertures, smooth curves, and a consistent forward slant.

Spacing reads comfortable in the sample text, with smooth joins and a steady baseline rhythm that helps longer passages stay cohesive. Several glyphs show gently squared-round transitions rather than purely circular forms, reinforcing a modern, UI-friendly feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸