Sans Normal Abdak 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Vocal' by Ani Dimitrova; 'Malva' by Harbor Type; 'Diodrum', 'Diodrum Hebrew', and 'Diodrum Thai' by Indian Type Foundry; 'Famiar' by Mans Greback; 'Byker' by The Northern Block; 'Ranelte' by insigne; and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: ui labels, editorial, branding, marketing, presentations, modern, clean, friendly, dynamic, neutral, readable emphasis, friendly modernity, everyday versatility, oblique, humanist, open apertures, rounded terminals, soft curves.
A slanted sans with smooth, rounded curve construction and a steady, even stroke. Letterforms show open apertures and generous internal space, with subtly tapered joins that keep counters clear. Terminals are clean and slightly softened rather than sharp, and the overall rhythm feels flowing thanks to the consistent oblique angle across caps, lowercase, and figures. Uppercase proportions are straightforward and geometric-leaning, while lowercase forms add a more humanist feel through varied curves and relaxed shapes.
It works well for interface copy and labels where an oblique voice is needed without sacrificing clarity. The clean shapes and open counters also suit editorial callouts, pull quotes, and marketing headlines, as well as brand systems that want a modern, approachable italic for emphasis or secondary typography.
The font reads as contemporary and approachable, combining a neutral backbone with a sense of motion from the italic stance. Its soft curves and open forms give it a friendly, non-technical tone that still feels tidy and professional. Overall it conveys clarity with a mild informal warmth.
The design appears intended as a versatile italic companion or standalone oblique sans that stays highly readable while adding forward motion. Its rounded geometry and open apertures suggest an emphasis on clarity and friendliness over sharp, high-fashion styling.
Figures appear simple and legible with rounded bowls and clear differentiation, matching the letterforms’ smooth construction. The slant is noticeable but not extreme, supporting emphasis and hierarchy without becoming decorative.