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Free for Commercial Use

Sans Superellipse Terey 2 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Beachwood' by Swell Type, 'Headlines' by TypeThis!Studio, 'Nimbus Sans L' by URW Type Foundry, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, energetic, sporty, assertive, retro, industrial, impact, compactness, speed, branding, condensed, oblique, rounded corners, soft terminals, compact counters.


Free for commercial use
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A heavy, condensed oblique sans with rounded-rectangle construction and softly squared curves. Strokes are thick and fairly consistent, with subtle modulation at joins, and most terminals end in blunt, slightly rounded cuts. Counters are compact and apertures are tight, giving the face a dense, blocky texture; curves often resolve into squarish bowls and shoulders rather than true circles. Overall spacing feels tight and efficient, producing a strong, continuous rhythm in both all-caps and mixed-case settings.

Best suited to display typography where strong presence is needed: posters, bold headlines, sports and event branding, and impactful packaging or merchandise. It can also work for short UI labels or wayfinding when space is constrained, though the dense counters suggest avoiding long body copy.

The tone is punchy and forward-leaning, with a fast, athletic feel and a hint of vintage signage. Its chunky, softened geometry reads confident and utilitarian rather than refined, projecting impact and urgency without sharp aggression.

The design appears intended to deliver maximum impact in a compact footprint, combining a forward-leaning stance with rounded-rectangular forms for a distinctive, high-energy silhouette. The softened corners temper the heaviness, aiming for a bold, approachable strength appropriate for branding and attention-grabbing titles.

Capitals are tall and compact with sturdy diagonals, while the lowercase maintains the same compressed, rounded-rectilinear logic. Numerals follow the same blocky proportions, staying highly legible at display sizes and reinforcing a consistent, poster-ready texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸