Sans Superellipse Usja 11 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, branding, logotypes, ui labels, posters, techy, futuristic, industrial, utility, geometric clarity, tech branding, system design, modern utility, squared-round, geometric, modular, monoline, sturdy.
A geometric sans built from squared-round (superelliptic) forms, with generous widths and a steady, almost monoline stroke. Corners are consistently radiused, producing rounded-rectangle counters in letters like O, D, and Q, while curves in C, G, and S stay tight and controlled rather than fully circular. Terminals are predominantly flat and horizontal/vertical, and diagonals (A, V, W, X, Y, Z) are crisp and straight, giving a clean, engineered rhythm. The lowercase mirrors the same modular logic, with compact joins and squared shoulders, and numerals follow the same rounded-rect geometry for a cohesive alphanumeric texture.
Well suited to headlines, branding, and logotypes that benefit from a wide, geometric voice. It also works effectively for UI labels, dashboards, and wayfinding-style text where squared-round forms and clear, uniform construction support quick recognition. For longer reading, it will be most comfortable with ample line length control and generous spacing.
The overall tone is modern and technical, with a slightly sci‑fi, interface-oriented character. Its broad stance and softened corners balance precision with approachability, reading as robust, functional, and contemporary rather than friendly or calligraphic.
The design appears intended to translate rounded-rectangle geometry into a versatile sans, emphasizing consistency, clarity, and a contemporary industrial aesthetic. Its construction prioritizes repeatable shapes and a stable rhythm, aiming for a clean, technology-forward presence across letters and numerals.
At text sizes the wide proportions create an open, low-density color that suits short lines and prominent settings. The consistent corner rounding and boxy counters make the design feel systematized and highly uniform across letters and figures.