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Free for Commercial Use

Sans Superellipse Piluh 3 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Gala' by Canada Type, 'Morgan Tower' by Feliciano, 'Loftie' by Gerald Gallo, 'Robson' by TypeUnion, and 'Bitcrusher' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, industrial, authoritative, retro, condensed, utilitarian, space saving, high impact, signage clarity, systematic geometry, rounded corners, vertical emphasis, compact, high-contrast (mass), blocky.


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A tall, tightly condensed sans with heavy, uniform strokes and rounded-rectangle construction throughout. Curves are minimized into squarish bowls with softened corners, giving counters a superelliptical feel while keeping edges crisp and mechanical. The rhythm is strongly vertical, with compact sidebearings and a consistent, poster-like texture across lines. Terminals are generally flat and squared-off, and joins stay clean and monoline, producing a sturdy, engineered silhouette that remains legible at display sizes.

Best suited to headlines, posters, and bold titling where a compact, high-impact word shape is needed. It also fits signage, labels, and packaging systems that benefit from tight set widths and strong vertical emphasis. For long passages or small sizes, its dense mass and narrow apertures may feel heavy, so it performs strongest in short, punchy text.

The overall tone is forceful and utilitarian, with a retro-industrial flavor reminiscent of signage, labeling, and heavyweight poster typography. Its compact width and dense color feel assertive and attention-grabbing, projecting confidence and a no-nonsense attitude.

The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rect geometry to create a distinctive, industrial sans voice. It prioritizes strong presence, consistent texture, and easy reproduction for display-oriented applications.

Round letters (like O/C/G) read as narrow rounded rectangles rather than true circles, which reinforces the geometric, machine-made character. The lowercase shows a straightforward, single-storey construction where applicable, keeping the look consistent and uncluttered. Numerals and capitals share the same compressed, vertical proportions, supporting a uniform, tightly packed set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸