Sans Other Obny 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bongo' by Bogusky 2, 'Barion' by Drizy Font, 'Bulk Weight JNL' by Jeff Levine, 'Stallman Round' by Par Défaut, and 'Jetlab' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, retro, digital, arcade, assertive, impact, techno feel, retro digital, display clarity, blocky, angular, geometric, compact, stencil-like.
A heavy, block-constructed sans with sharply squared contours and frequent chamfered corners. Forms are built from thick, rectilinear strokes with tight internal counters and minimal curvature, creating a compact, modular silhouette. The rhythm is strongly segmented, with many letters showing notched joins and cut-in apertures that read almost stencil-like; terminals are blunt and squared, and punctuation follows the same pixel-ish, machined logic.
Best suited for high-impact display settings such as posters, branding marks, game interfaces, album/cover art, and packaging where a strong, industrial-digital voice is desired. It performs especially well in short phrases, titles, and bold typographic treatments rather than extended small-size reading.
The overall tone feels mechanical and game-like, evoking arcade UI, industrial labeling, and retro-digital graphics. Its dense black shapes and angular detailing give it an assertive, no-nonsense presence with a techno edge.
The design appears intended to translate a modular, machined aesthetic into a bold display sans, using squared geometry and cut-in details to create a distinctive techno/arcade texture while maintaining consistent stroke mass.
Several glyphs lean on simplified, sign-like construction (e.g., squared bowls and inset counters), favoring silhouette clarity over conventional typographic modulation. The sample text shows consistent color in headlines, but the tight apertures and notches suggest it benefits from generous sizing and spacing when legibility is critical.