Serif Other Ursy 3 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Pittsbrook' by Fontdation, and 'Kirsty' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, collegiate, gothic, heritage, assertive, vintage, display impact, heritage feel, emblem design, collegiate voice, beveled, chamfered, angular, blocky, compact.
A heavy, angular serif with pronounced chamfered corners and beveled-looking terminals that create an octagonal, cut-stone silhouette. Stems and bars are thick and mostly monolinear, with small wedge-like serifs and sharp internal joins that give counters a faceted, geometric feel. Uppercase forms are compact and sturdy, while the lowercase keeps traditional serif structures but with a notably small x-height and strong, squared-off details. Numerals follow the same chiseled construction, with the 0 rendered as an octagonal ring and similarly clipped corners across the set.
Best suited to headlines, titles, and short bursts of text where the faceted serif details can be appreciated. It works especially well for sports or collegiate branding, badges and wordmarks, event posters, and packaging that aims for a sturdy, heritage-inflected voice. For longer text, it will be most effective at larger sizes with generous spacing to keep the dense letterforms from feeling crowded.
The overall tone reads as collegiate and traditional, with a display-forward, old-style poster energy. Its chiseled geometry adds a tough, emblematic character that feels confident and slightly gothic, suggesting institutional or heritage cues rather than softness or neutrality.
The design appears intended to reinterpret classic collegiate and blackletter-adjacent serif traditions through a geometric, chamfered construction. Its consistent clipped corners and compact proportions prioritize impact and recognizability, making it a distinctive display serif for emblematic and institutional-looking typography.
The face maintains consistent corner treatment across letters and figures, producing a uniform "carved" texture in text lines. Narrow apertures and compact counters can build a dense color at smaller sizes, while the distinctive beveling becomes more expressive as size increases.