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Free for Commercial Use

Sans Superellipse Osdom 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'EFCO Fairley' by Ephemera Fonts and 'Navine' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, industrial, techy, assertive, retro, high impact, geometric branding, signage clarity, rugged modernity, blocky, squared, rounded corners, compact, geometric.


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A heavy, block-constructed sans with superelliptical geometry: round forms are built from rounded-rectangle bowls, and corners are consistently softened rather than sharp. Strokes are broadly uniform with minimal modulation, producing a dense, poster-like color. Proportions lean compact and sturdy, with short apertures, squared counters, and a generally squared-off silhouette across both caps and lowercase. Terminals are flat and decisive, while diagonals (notably in A, K, V, W, X, Y) are straight and mechanically clean, reinforcing a utilitarian rhythm.

This face is well suited to short, high-impact settings such as headlines, posters, sports and team identity, packaging, and wayfinding/signage where a strong silhouette is an advantage. It also fits UI or product graphics that want a rugged, geometric display voice, especially when set with generous tracking to keep counters open.

The overall tone is bold and no-nonsense, with a sporty, industrial confidence. Its rounded-square construction adds a tech and retro signage feel—punchy and functional rather than delicate or lyrical.

The design appears intended to deliver maximum presence with a consistent rounded-square construction, balancing a hard-edged, industrial structure with softened corners for approachability. The emphasis is on clarity and impact through simplified forms and uniform stroke weight.

The numerals echo the same rounded-rectangular construction, giving figures a cohesive, label-ready presence. The lowercase maintains a simplified, engineered look with compact joins and tight internal spaces, which emphasizes impact in headlines but can feel crowded at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸