Outline Vaza 10 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, retro, sleek, architectural, stylish, decorative display, vintage modern, signage feel, graphic branding, monoline, inline, geometric, stencil-like, linear.
A monoline outline/inline design built from clean, continuous contours with frequent interior cut-ins that create a hollow, double-line effect on many verticals and curves. The geometry leans toward simple circles and straight stems, with rounded bowls and crisp terminals, producing a tidy, engineered rhythm. Proportions are generally narrow-to-moderate with tall capitals and a straightforward lowercase; counters stay open and legible despite the decorative inner detailing. Numerals echo the same structural idea, with circular forms and occasional internal striping that reads consistently across the set.
Best suited to display settings where the outline construction can be appreciated—headlines, posters, event branding, logotypes, and storefront-style signage. It can also work for packaging or editorial titling where a refined retro accent is desired, while longer text benefits from generous size and leading to preserve clarity of the hollow details.
The overall tone feels Art Deco–influenced and cosmopolitan, with a polished, showroom-ready sophistication. Its hollow detailing and streamlined construction evoke signage, architecture, and vintage display typography while still reading as modern and minimal.
The design appears intended as a decorative display face that combines clean geometric skeletons with an outline/inline treatment to add depth and character. It aims to deliver a recognizable vintage-modern flavor while maintaining a controlled, architectural consistency across letters and figures.
The internal inline/void treatment is most prominent on vertical strokes and rounded letters, creating a subtle stencil-like impression without breaking the outer contour. The design’s visual interest comes from repetition of these inner channels, so spacing and rhythm feel deliberate and graphic, especially in headlines.