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Free for Commercial Use

Sans Normal Jolek 1 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types; 'Brignell Square' by IB TYPE Inc.; 'Franklin Gothic', 'ITC Franklin', and 'ITC Franklin Gothic LT' by ITC; 'Murs Gothic' by Kobuzan; and 'Franklin Gothic' by URW Type Foundry (names referenced only for comparison).

Keywords: sports branding, posters, headlines, advertising, packaging, athletic, assertive, energetic, modern, punchy, emphasis, impact, momentum, branding, oblique, rounded, compact, chunky, high-impact.


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A heavy, oblique sans with broad, rounded forms and a compact footprint. Strokes are thick and confident with smooth, simplified curves and minimal detailing; counters stay relatively open for the weight. Terminals read clean and blunt, and the overall drawing favors sturdy geometry over finesse, giving letters a slightly condensed, forward-leaning rhythm. The figures match the caps in mass and presence, with rounded bowls and strong horizontal weight.

Best suited to display typography where impact matters: sports and fitness branding, promotional headlines, posters, and attention-grabbing advertising. It can also work for short subheads, callouts, and emphasized text in layouts that need a strong italic voice, but it will be most effective at larger sizes rather than long-form reading.

The overall tone is bold and action-oriented, suggesting speed, confidence, and a headline-first attitude. Its slanted stance and chunky shapes feel contemporary and sporty, with a straightforward, no-nonsense voice that reads as promotional and energetic rather than refined or quiet.

The design appears intended to deliver a powerful italic sans option that stays legible while maximizing visual punch. Its rounded, compact construction and strong slant suggest a focus on energetic branding and emphatic messaging, providing a confident, forward-moving feel in headlines and key phrases.

Across the alphabet the design maintains consistent weight distribution and curve treatment, producing an even color in text despite the strong slant. The lowercase is robust and simplified, and punctuation in the sample text reads clearly at display sizes, reinforcing its use as a high-impact italic companion for emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸