Sans Faceted Midy 3 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, album covers, futuristic, techno, industrial, aggressive, arcade, impact, sci‑fi styling, brand identity, digital aesthetic, machined feel, angular, faceted, geometric, chiseled, high-contrast.
A hard-edged display sans built from straight strokes and sharp planar cuts, with corners frequently clipped into triangular facets. Forms lean on squared counters and rectangular construction, replacing curves with abrupt angles and notches. Stroke endings are decisively chopped, producing a jagged rhythm and a distinctly mechanical texture across words. The lowercase largely follows the same geometric logic as the caps, with compact bowls and crisp joins that keep silhouettes blocky and uniform.
Best suited to short, prominent text such as headlines, posters, logotypes, titles, and packaging where its sharp geometry can be appreciated. It also fits gaming and sci‑fi UI/overlays, esports branding, and event graphics. For longer passages, it works most effectively at larger sizes with generous spacing to preserve clarity.
The overall tone feels futuristic and game-like, with an assertive, weaponized sharpness that reads as techno and industrial. Its faceted cuts and spiky terminals add tension and speed, suggesting sci‑fi interfaces, cyberpunk worldbuilding, and high-energy action branding.
The design appears intended to deliver maximum impact through geometric, faceted construction—evoking machined surfaces and digital-era aesthetics while staying firmly within a sans framework. Its consistent corner-cut vocabulary suggests a focus on a distinctive, brandable texture that reads instantly in display settings.
The font’s angular detailing is consistent across letters and figures, giving lines of text a serrated, patterned edge. Interior spaces tend to be squared and relatively small, which increases density and impact. The design’s distinctive corner cuts become a primary identifying feature, especially in diagonals and junctions where the facets create a signature “shard” motif.