Sans Normal Vidiw 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Tablet Gothic' by TypeTogether, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, casual, retro, playful, approachable, display impact, friendly tone, playful warmth, retro nod, rounded, soft, chunky, bouncy, informal.
A slanted, heavy sans with generously rounded terminals and smooth, low-contrast strokes. Curves are broad and slightly squashed, giving letters a soft, cushiony silhouette, while counters stay relatively open for the weight. The rhythm is lively rather than rigid: widths and shapes vary noticeably across glyphs, with a hand-drawn looseness in joins and diagonals that keeps the texture from feeling mechanical. Numerals follow the same rounded, compact construction and read as sturdy, display-oriented figures.
This font is best used where impact and personality are needed: headlines, posters, short promotional copy, brand marks, packaging, and casual signage. It can also work for pull quotes or section headers in editorial layouts, especially when a friendly, rounded voice is desired.
The overall tone is warm and informal, with a buoyant, slightly retro flavor. Its rounded shapes and jaunty slant feel personable and energetic, suggesting friendliness over precision. The texture reads bold and confident without becoming harsh, making it well-suited to upbeat, approachable messaging.
The design appears intended to deliver a bold, approachable display voice with a soft, rounded construction and an energetic slant. Its variable letter widths and gently imperfect geometry aim to create a human, playful texture that stands out quickly and feels conversational rather than formal.
At text sizes the strong slant and heavy joins create a dense, dark color, so spacing and line length will matter for comfort. The design’s intentional irregularity adds charm, but it favors expressive settings over strictly utilitarian typography.