Sans Normal Ofgol 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Evolved' and 'Otter' by Hemphill Type, and 'ITC Blair' by ITC (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, kids content, playful, friendly, bouncy, quirky, retro, display impact, approachability, playfulness, informality, retro flavor, rounded, soft, chunky, cartoonish, irregular.
A heavy, rounded sans with soft corners and broadly circular bowls. Strokes stay consistently thick, while curves and joins show slight irregularities that give the letters a hand-cut, wobbly rhythm rather than a strict geometric construction. Counters are generally open and generous for the weight, with simplified terminals and compact apertures that keep forms punchy at display sizes. The lowercase has a sturdy, single-storey feel (notably a and g), and the overall spacing reads slightly uneven in an intentional, lively way.
Best suited for short, high-impact text such as headlines, posters, branding marks, and playful packaging. It can work well for children’s products, casual entertainment, and bold social graphics where warmth and visibility matter more than typographic neutrality. For longer passages, it’s most comfortable in brief bursts or as accent type due to its strong weight and lively texture.
The font conveys a cheerful, informal tone with a buoyant, slightly off-kilter personality. Its chunky shapes and softened geometry feel approachable and comedic, suggesting a lighthearted, kid-friendly energy with a hint of retro sign or sticker lettering.
The design appears intended as a bold, friendly display sans that prioritizes character and immediacy. Its softened, slightly irregular forms suggest a deliberate move away from strict geometry toward an approachable, hand-made look while retaining clear, simple letterforms.
Round letters (O, C, G) lean toward near-circular silhouettes, while diagonals and joins (K, V, W, X) feel boldly carved with minimal finesse, reinforcing the cutout-like character. Numerals match the same stout, rounded construction and read best when set large where their distinctive shapes can breathe.