Sans Superellipse Olrej 8 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Cyclone' by Hoefler & Co., 'Brecksville' by OzType., 'Monopol' by Suitcase Type Foundry, 'Polate Soft' by Typesketchbook, and 'Bonnet Grotesque Nr' by astype (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, poster-ready, sporty, confident, condensed, impact, space-saving, brand voice, display clarity, blocky, squarish, rounded corners, compact, monoline.
A compact, heavy sans with tightly proportioned letters and a strong vertical emphasis. Forms are built from rounded-rectangle geometry, with soft corners, flattened curves, and minimal stroke modulation that keeps color even across lines. Counters are relatively small and apertures tend to be pinched, while terminals are blunt and squared-off, producing a dense, impactful texture. Numerals and punctuation follow the same sturdy, condensed construction for consistent rhythm in display settings.
Best suited for short, high-impact copy such as headlines, posters, event graphics, and attention-grabbing packaging. It also fits signage and branded applications where a compact footprint and strong presence are helpful, especially when set large or with generous tracking to open up the texture.
The overall tone is assertive and utilitarian, with a modern industrial feel. Its compressed width and thick strokes create a sense of urgency and strength, reading as bold, no-nonsense, and headline-driven rather than delicate or literary.
The design appears intended to deliver maximum visual punch in a narrow footprint, using rounded-rectilinear shapes to create a distinctive, contemporary voice. It prioritizes bold clarity and consistent stroke weight for strong reproduction across print and screen in display-led typography.
At larger sizes the rounded-square construction becomes a defining personality cue, especially in curved letters where the geometry feels deliberately squared rather than fully circular. In longer text blocks the tight counters and compact spacing can make the texture feel intense, reinforcing its role as a display face.