Sans Superellipse Otdid 9 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Conthey Inline' by ROHH (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, signage, retro, playful, punchy, poster-like, friendly, impact, approachability, retro flavor, brand distinctiveness, headline clarity, rounded, blocky, compact, geometric, soft-cornered.
A compact, heavy sans with rounded-rectangle construction and broadly uniform stroke weight. Curves tend toward superelliptical bowls and arches, while joins are softened rather than sharply squared, giving counters a smooth, tubular feel. Terminals are generally flat but eased by rounding, and several letters show wedge-like cuts and angled joins that add snap to the otherwise cushioned geometry. Proportions are tight and efficient with short extenders, and the overall rhythm is dense and even, favoring strong silhouettes over delicate internal detail.
Best suited to headlines and short-form display use where its dense weight and rounded geometry can deliver strong presence—posters, packaging, branding marks, and storefront/signage applications. It can also work for UI labels or badges when a friendly, high-impact voice is desired, though its tight counters favor moderate-to-large sizes for clarity.
The tone is bold and upbeat, with a distinctly retro display energy. Rounded geometry keeps it approachable, while the chunky density and occasional angular cuts add urgency and impact, making it feel lively and attention-seeking rather than formal.
The design appears intended to merge a geometric, rounded-rectangle construction with high-impact display weight, producing a compact face that feels both friendly and assertive. The subtle angled cuts and simplified details suggest an aim for distinctive silhouettes and instant readability in branding and headline contexts.
Uppercase forms read particularly solid, with broad bowls and compact apertures; the lowercase mirrors the same rounded-rect logic with sturdy stems and small, controlled counters. Numerals are similarly weighty and simplified for immediate recognition, especially at larger sizes where the soft corners and cut-in details become part of the personality.