Sans Superellipse Ukbak 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Factory' by Brainware Graphic, 'Navine' by OneSevenPointFive, 'Fixture' by Sudtipos, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, techy, sporty, sturdy, confident, impact, modernize, ruggedness, modularity, attention, squared, rounded, geometric, compact, blocky.
A heavy, geometric sans with a squared skeleton softened by generous corner rounding. Counters and bowls tend toward rounded-rectangle shapes, and curves are resolved into flat-ish shoulders and softly chamfered transitions rather than true circular arcs. Strokes are consistently thick with minimal modulation, producing dense, high-impact letterforms; terminals are blunt and rectangular, and many joins read as engineered and planar. Overall proportions are compact and sturdy, with broad verticals, tight interior space, and simplified shapes that prioritize clarity at large sizes.
Best suited to display settings where weight and shape can do the work: headlines, posters, sports and fitness branding, product packaging, and bold UI labels. The compact, squared forms hold up well in short bursts of text and logotype-style applications where a rugged, modern impression is desired.
The tone is assertive and contemporary, with a utilitarian, engineered feel that suggests machinery, sports branding, and tech interfaces. Its rounded corners add approachability while keeping the voice tough and performance-oriented.
The font appears designed to deliver maximum impact with a geometric, rounded-rect aesthetic—combining industrial sturdiness with a friendly softness at the corners. It aims for a modern, modular look that reads quickly and feels built for branding and display-led typography.
The design language is strongly grid-based, with squared curves and softened corners repeating across capitals, lowercase, and numerals for a consistent, modular rhythm. The numerals and uppercase have a particularly sign-like solidity, and the lowercase maintains the same boxy, rounded-rectangle logic for cohesive texture in headings.