Sans Superellipse Otdag 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Bronkoh' by Brink, 'Neuron Angled' by Corradine Fonts, and 'Core Sans R' by S-Core (names referenced only for comparison).
Keywords: ui labels, signage, packaging, headlines, posters, tech, industrial, utilitarian, modern, authoritative, clarity, modernization, technical tone, compact impact, system branding, squared, rounded, geometric, compact, sturdy.
A compact, heavy sans with squared proportions softened by generous corner rounding. Curves resolve into superellipse-like bowls and counters, while horizontals and verticals stay straight and weighty, producing a sturdy, blocky rhythm. Openings are controlled and relatively tight, with consistent stroke thickness and minimal modulation. Numerals and capitals follow the same rounded-rectangle logic, giving the set a highly uniform, engineered texture in text.
It performs best where short strings need strong visibility: interface labels, navigation, product labeling, and signage. The dense, squared silhouettes also make it effective for bold headlines and poster typography, especially in technology, logistics, or industrial contexts. In longer text, it will create a dark, emphatic color that suits punchy statements more than quiet reading.
The overall tone is contemporary and functional, with a distinctly technical, equipment-label feel. Its rounded corners keep it approachable, but the dense weight and squared geometry read as confident and no-nonsense. The result feels suited to modern interfaces and industrial branding where clarity and presence matter.
The design appears intended to merge geometric, rounded-rectangle construction with a high-impact weight for clear, modern communication. By prioritizing uniform strokes and softened corners, it aims for a technical look that remains friendly enough for contemporary UI and brand systems.
Wide radii at corners and flattened curves create a strong grid-fit impression, especially in C/G/S and the rounded letters and digits. The lowercase shows a practical, compact construction that favors solidity over calligraphic nuance, maintaining a consistent mechanical cadence across lines.