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Free for Commercial Use

Sans Superellipse Hakol 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Air Force' by Indian Summer Studio, 'Charles Wright' by K-Type, and 'Evanston Tavern' by Kimmy Design (names referenced only for comparison).

Keywords: headlines, posters, sports branding, tech ui, packaging, techno, industrial, futuristic, athletic, utilitarian, impact, modernization, systematic geometry, branding, squared, rounded, geometric, condensed caps, high contrast counters.


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A heavy, geometric sans with squared-round (superellipse) construction and crisp, uniform strokes. Corners are consistently radiused, and bowls and counters tend toward rounded rectangles, giving the design a sturdy, modular feel. Capitals are compact and boxy with flat terminals, while diagonals (A, K, V, W, X, Y) are sharply cut and clean. Lowercase forms are simplified and largely single-storey where applicable, with short, squared shoulders and minimal curvature. Numerals follow the same squarish logic, with a notably boxy 0 and strong, block-like silhouettes overall.

Best suited for headlines, logos, signage, and short-form text where strong, compact shapes can carry impact. It can also work for interface titles, labels, and packaging that benefit from a robust, geometric voice, while longer passages may prefer larger sizes or more generous leading due to the dense texture.

The overall tone is modern and engineered—more machine-made than humanist. Its squared curves and dense, confident shapes evoke digital interfaces, sports branding, and industrial labeling, balancing friendliness from rounded corners with a firm, no-nonsense presence.

The font appears designed to deliver a contemporary, systematized look built from rounded-rectangle geometry—prioritizing solidity, consistency, and a distinctive squared softness for display-forward typography.

Spacing appears on the tight-to-moderate side in text, and the uniform stroke weight keeps color even across lines. The design emphasizes straight segments and right angles, with rounding used as a consistent softener rather than as expressive calligraphy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸