Sans Faceted Akby 14 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio and 'Barakat' by Denustudio (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, sportswear, techno, industrial, futuristic, arcade, tactical, impact, tech aesthetic, geometric rigor, high contrast presence, angular, chamfered, geometric, blocky, octagonal.
A heavy, monoline display sans built from straight strokes and clipped corners, replacing curves with crisp chamfers and faceted joins. Counters are generally rectangular or octagonal, and terminals are squared-off with consistent stroke thickness. Proportions are compact with a sturdy cap height and a normal-feeling x-height; round letters read as squared forms, and diagonals are used sparingly but decisively (e.g., in A, V, W, X). Spacing and rhythm feel tight and mechanical, producing a dense texture in words and a strong, uniform silhouette in headlines.
Best suited to display settings where its angular construction can read cleanly: headlines, branding marks, posters, packaging, and themed UI/overlay graphics. It also fits technical or industrial labeling and energetic applications like sports or gaming titles, where a strong, faceted voice is desirable.
The overall tone is assertive and machine-like, with a retro-digital flavor that recalls arcade graphics, sci-fi interfaces, and utilitarian labeling. Its faceted geometry conveys precision, strength, and a slightly aggressive energy.
The design appears intended to deliver a bold, high-impact sans with planar facets that suggest engineered surfaces rather than handwriting or classical construction. It aims for immediate recognition and a distinctive geometric texture, optimized for short phrases and large-size typography.
The squared bowls and angular apertures keep interior spaces clear at display sizes, while the many right angles and chamfers create a distinctive pixel-adjacent character without becoming a true grid font. Numerals follow the same hard-edged logic, giving figures a robust, sign-like presence.