Sans Normal Usrid 6 is a regular weight, normal width, medium contrast, italic, normal x-height font visually similar to 'Almarena Neue' by Almarena; 'Newhouse DT' by DTP Types; and 'Helvetica', 'Helvetica Hebrew', 'Helvetica Thai', and 'Helvetica World' by Linotype (names referenced only for comparison).
Keywords: ui design, branding, headlines, editorial, signage, modern, clean, dynamic, technical, neutral, emphasis, clarity, modernization, readability, efficiency, slanted, crisp, open, geometric, streamlined.
This is a slanted sans with a clean, geometric foundation and gently modulated strokes. Curves are built from smooth circular and elliptical forms, while terminals are mostly straight-cut, producing a crisp, contemporary finish. Proportions feel even and compact, with round letters kept open and counters staying clear at text sizes. The numerals follow the same streamlined construction, with simple, legible shapes and consistent rhythm across the set.
It works well for interface typography, product branding, and headings where a modern italic voice is needed without sacrificing clarity. In editorial contexts it can serve for emphasis, pull quotes, or subheads, and it should also hold up in short informational text such as labels or wayfinding where a clean slanted sans is appropriate.
The overall tone is modern and purposeful, with a forward-leaning posture that adds motion without becoming expressive or calligraphic. It reads as neutral and efficient—more contemporary than classic—making it feel at home in digital-first, product-oriented design.
The design appears intended as a contemporary italic companion or stand-alone slanted sans, emphasizing clarity, smooth geometry, and a cohesive forward rhythm. Its forms suggest a focus on versatile, digital-friendly typography that remains readable while adding subtle motion and emphasis.
The slant is consistent across capitals, lowercase, and figures, keeping lines of text cohesive. Curved forms (such as C, O, and S) appear smooth and balanced, while diagonal-heavy letters contribute to a slightly energetic texture in words and acronyms.