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Free for Commercial Use

Sans Normal Utnuj 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'Halenoir' by Ckhans Fonts, 'Hergon Grotesk' by Katatrad, 'Live Grotesk' by Matt Chansky, 'Metro Sans' by Studio Few, and 'Genera' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: branding, ui text, headlines, posters, signage, clean, modern, informal, dynamic, friendly, clarity, approachability, motion, versatility, modernity, oblique, rounded, open counters, soft terminals, humanist.


Free for commercial use
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This typeface is a slanted sans with smooth, rounded construction and a steady, even stroke. Curves are generous and open, with round counters in forms like C, O, and e, and generally soft, slightly sheared terminals that reinforce the forward motion. Uppercase proportions are straightforward and geometric-leaning, while the lowercase shows a more human, text-oriented rhythm with a single-storey a and g and a clear, open e. Figures are simple and legible, with rounded bowls and consistent alignment, matching the letters’ calm, low-contrast drawing.

It works well for brand wordmarks, packaging, and editorial headlines where a clean sans with forward momentum is desirable. The open shapes and steady rhythm also suit UI labels, presentation typography, and short-to-medium text blocks where an oblique style can add emphasis without becoming decorative.

The overall tone is contemporary and approachable, pairing a clean sans structure with an energetic, on-the-move slant. It feels friendly rather than technical, suitable for communication that wants to read as clear, modern, and lightly informal.

The design appears intended to deliver a versatile, modern oblique sans that balances geometric clarity with friendly, readable lowercase forms. Its goal is likely to provide an energetic voice for contemporary interfaces and marketing while staying clean and straightforward in longer lines of text.

The slant is consistent across capitals, lowercase, and numerals, which helps maintain a cohesive texture in paragraphs. Rounded joins and open apertures keep the letterforms readable at larger text sizes while still feeling crisp in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸