Sans Other Ofby 11 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Oso Sans' by Adobe, 'React BTL' by BoxTube Labs, 'EFCO Colburn' by Ilham Herry, 'Exabyte' by Pepper Type, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, brutalist, techno, posterish, game-like, high impact, constructed forms, industrial feel, tech flavor, blocky, angular, condensed, stencil-like, squared counters.
A dense, block-built sans with heavy rectangular strokes and a tightly packed silhouette. Forms are predominantly squared with sharp corners, short apertures, and small, often rectangular counters that read like cutouts. Curves are minimized or flattened, and diagonals appear as chunky wedges, giving letters a slightly faceted, constructed feel. The overall rhythm is compact and vertical, with strong, even color and occasional notched joins that add a subtle stencil-like character.
Best suited to short, high-impact text such as headlines, posters, logos, labels, and display typography where its dense geometry can be appreciated. It can also work for UI/title treatments in game or tech contexts, especially at medium-to-large sizes. For long passages, the tight apertures and compact counters may reduce comfort and clarity.
The font projects a rugged, utilitarian attitude with a distinctly mechanical edge. Its geometry and cutout counters evoke industrial labeling, arcade or sci‑fi interfaces, and bold urban signage. The tone is assertive and no-nonsense, prioritizing impact over softness or refinement.
The design appears intended as a constructed display sans that delivers maximum presence through compact, rectangular shapes and minimal curvature. Its notched details and cutout counters suggest an aim toward industrial and techno aesthetics, giving text a robust, fabricated look.
Uppercase and lowercase share a consistent modular construction, helping headings feel cohesive across mixed-case settings. The small internal spaces can close up quickly at smaller sizes or in busy backgrounds, while larger sizes emphasize the distinctive notches and squared bowls. Numerals follow the same block logic, keeping the overall texture uniform in alphanumeric strings.